About
My artistic practice is rooted in the body as a space of memory, transformation, vulnerability, and connection. Through dance and performance, I explore how physical movement can reveal emotional and psychological states that often remain unspoken. I am interested in authentic expression — in allowing the body to communicate what has been stored, suppressed, or hidden for a long time.
My work is deeply influenced by personal experiences of physical and emotional collapse, recovery, and the ongoing negotiation between openness and protection. Questions around boundaries, sensitivity, exhaustion, resilience, and care shape both my artistic process and my daily life. Dance became a way for me to reconnect to my body and to rediscover movement not as performance alone, but as survival, release, and transformation.
I approach choreography as a form of embodied research. I investigate how movement emerges through sensation, attention, memory, repetition, breath, and relation to others. I am particularly drawn to continuous movement, states of flow, collective energy, and the tension between surrender and control. My practice often begins with listening — to the body, to space, to emotional states, to public environments, and to the subtle dynamics between people.
Public space and non-theatrical contexts are important to me. I am interested in bringing dance outside of institutional frameworks and into everyday life, creating encounters with audiences who may not usually enter a theater. I see performance as an invitation toward vulnerability, presence, and human connection. Rather than striving for perfection or normative functionality, I am interested in fragility, strangeness, emotional honesty, and the complexity of being human.
My recent work explores themes such as stuckness, memory, nervous systems, collective movement, urban rhythms, and the relationship between grief and joy. I work with improvisation, long durations, sound recordings from daily environments, and processes that allow unexpected material to emerge. I am interested in how movement can create spaces of care, transformation, and imagination – spaces where new ways of relating to ourselves and to one another can become possible.